Crobar Chicago

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  • Balanc3
    Platinum Poster
    • Jun 2004
    • 1278

    #16
    Re: Crobar Chicago

    Originally posted by miketpoto
    Originally posted by picklemonkey
    How easy is it to get in? Long lines, big bribes? Get there early, don't go at night? Info please. Also let me know if anybody knows who's playing this weekend.

    I'm not going, but a buddy is... don't get your panties balled up
    Do people still bribe doormen to get into parties? With security in the modern day and age we live in, there is never less than 2 bouncers if not several more at the door at big clubs, (assuming that there is only one designated person doing the "velvet rope" amongst this group, that one person is somewhat on display, so how would one use this as an advantage without being that guy who had to pay to get in to pay? I think maybe the bribe has evolved into table service and you are bribing the club itself sort of, like, call me VIP and I'll pay $300 for a $15 dollar bottle of Absolut and keep bringing the ice to me while I sit instead of dance.... I pray that there aren't many if any of these guys on this board, and if there are, just give me a buck and I'll get you in the door by letting you pretend to be friends with me Deal?
    Fuck man, your gonna have to come to Orlando... then you can see some of this take place. It's still about who you know and who you blow, but Chicago still has that underground vibe like someone said before. It's hard not to have a great time, unless your just in town for a night out at the riviera.
    JourneyDeep .into the sound

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    • miketpoto
      Shabisquik The Ghetto Queen
      • Jan 2005
      • 4223

      #17
      Re: Crobar Chicago

      Um, I live in midtown manhattan, so why would I leave NYC to search for an underground vibe or see people kiss ass to get in and still have to pay? Unless I am severely unaware and its being kept a great big secret, is there more to an underground "vibe" than just ambiance like say... amazing groundbreaking beautiful music? Thats pretty much what I think of as a positive underground experience... Cause I guess to me "underground" simply meaning 'not mainstream' doesnt really mean anything other than no posters or outwardly public promotion beforehand.

      But I just had a laugh when I think of a certain pompous individual who recently generalized mixing with ableton with the blanket statement of "lacking in energy" and that he would refuse to listen to a mix without a tracklist in front of his face at the same time... and then commented he'd like to hear what I could do with some turnatables. My point to this recap is simply this, if Tables are somehow being true to the music or the roots of the EDM/DJ genre and its intrumental origins/bare bones tools.... then i would assume this had something to do with it being all about the music and not status/industry/labels/brand-name-dj's or anything for lack of a better word "commercial". Yet if in even scanning through an hour long mix with ears alone, to hear if anything jumps out at or speaks to you personally, is something you put yourself above or to quote "beyond the point" of even having the slight possibility of being a rewarding experience or good listen for the sake of the music?

      I can't help feeling as though it sounds like my mix would serve as anything other than a chance to find some tracks to add to his next mix, or as my favorite musically pure and "underground" staple is commonly referred to as a "promo mix". I have nothing against the existence of promo mixes, but I certainly hold no respect for anyone who thinks of themselves as somehow being more true to their art or themselves because they resist change or dare I say this..... Their progressive to make progress... even from analog to digital and from that which has physical limitiations into that which has virtually inifinite possibilities within one's own imagination or perhaps just those within the range of human audible frequencies.... Or maybe I just don't give two shits if a mix doesn't sound just like it was done on decks if its good fucking music, or music that moves me and still makes me move (which is good for me)...

      So to go completely off point, and bring it all back home.... NYC is on a roll with pulling in world talent and substance (along with a roster of names as well, but luckily they are distinguishing themselves as separate entities more and more) so if I were in orlando I couldn't miss out on floating around in an inner tube at typhoon lagoon till close , only to go focus on out-dressing overpaying more than the next guy to sit down instead of dancing... But I know thats not all there is down there... and we have that crap too, with no lazy river...

      Comment

      • e808
        Getting Somewhere
        • Jun 2004
        • 138

        #18
        Re: Crobar Chicago

        Comment

        • picklemonkey
          Double hoodie beer monster
          • Jun 2004
          • 15373

          #19
          thems some good parties

          Comment

          • chiguy2891
            Cue sheet Wizard
            • May 2005
            • 60

            #20
            Re: Crobar Chicago

            i went to crobar right after it got remodelled. it wasnt my type of club, too glam.

            sound-bar and vision are definitely the big ones right now. you can usually rsvp to the clubs to get in for a discount before a certain time. most of the time its on the clubs' websites.

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