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In the 19th century, music was seen as a highly valued treasure with fundamental and near-mystical powers of human communication
Back in the early half of 19th century, the only way to access music was to listen to it at a live performance. With the advent of technology to record music, this key value in music was by-passed.
I noticed this back in 2001 after I had amassed a mere 30GB of music from Napster & Scour Exchange. As strange as it sounds, I actually found myself torn on whether my accelerated music acquisition habits were positive. On the one hand, I was getting exposed to a huge swath of artists and at a very fast pace. I felt like I was making up for lost time by catching up on all the electronic music from the past decade (1991 - 2001). But on the other hand, I was devoting less time to each individual artist than I did when I'd bop down to a record store and plop down $15 for a CD.
So for me it really boiled down to a breadth vs depth ideology. I came to the conclusion that it was more beneficial to have a broad awareness of thousands of artists, than to know every note in the albums of 10 artists.
While I still download lots of music (I've got somewhere in the range of 900GB now) and a wide variety at that, I've found that my listening habits have come full circle over the past 5 years. I tend to dedicate more "quality" time to my favorite artists like John Digweed & Thievery Corporation. And by "quality" I mean listening to their music in the absence of other distractions. I might load my iPod up with 10 new DJ sets each week and listen to those on my iPod while driving to work, but when I relax in the evening while around the house I listen to my favorite artists. So I can still get that wide range of exposure to new artists and new music while driving, but I can give undivided attention to my favorite artists in the evening and still develop an emotional attachment to those songs, albums, & DJ sets.
^ what JetaTek says - I listen to lots of new things each week, but also return to the sets/mixes i know are good. Out of the new sets I dl each week, a few of them get played again and again and hence become 'classics' too
what they say is quite true, but on the other hand, in the times of cassettes you would listen to a track only because it was there - many quite shitty tunes among a few gems possibly. You'd say it grew on you but really you'd just get used to its medicority cause you didn't have much choice. Now if I'm to listen to a track or set more than once, it's got to be really good... There's always more competition when the choice is wider - and that's good.
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