Cache

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  • res0nat0r
    Someone MARRY ME!! LOL
    • May 2006
    • 14475

    #16
    Re: Cache

    man i couldnt get into this one at all. i did like the still camera shots and the total absence of music which was interesting..other than that..

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    • Kamal
      Administrator
      • May 2002
      • 28835

      #17
      Re: Cache

      watched it the other day. The way the mystery builds up and bottles down to the simple ideology that the other dude's son is taking psychological revenge for the father/main actor being a twat to his was well depicted, but in itself became the very reason that I felt the plot/ending of the movie was based on too "simplistic" an idea.

      For all the mystery they wrapped into it, they could have easily shown a darker / evil past and plot to the movie. But the actors did a bang up job in the movie for sure.
      www.mjwebhosting.com

      Jib says:
      he isnt worth the water that splashes up into your asshole while you're shitting
      Originally posted by ace_dl
      Guys and Gals, I have to hurry/leaving for short-term vacations.
      I won't be back until next Tuesday, so if Get Carter is the correct answer, I would appreciate of someone else posts a new cap for me

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      • sono
        Gold Gabber
        • Aug 2004
        • 515

        #18
        Re: Cache

        Originally posted by Kamal
        watched it the other day. The way the mystery builds up and bottles down to the simple ideology that the other dude's son is taking psychological revenge for the father/main actor being a twat to his was well depicted, but in itself became the very reason that I felt the plot/ending of the movie was based on too "simplistic" an idea.

        For all the mystery they wrapped into it, they could have easily shown a darker / evil past and plot to the movie. But the actors did a bang up job in the movie for sure.

        No mate, It has a deeper meaning than that. The problem is it is only understood by people who know something about France's history.

        The movie explores the guilt felt by a French TV personality (and metaphorically, felt by all French of that generation) over having pushed out of his home the orphaned son of an Algerian family that had been working for his parents, who were killed by the French government in 1962 in that Algerian situation. Their son (now a grown man) returns years later to terrorize our hero through the use of videotapes that force him to confront his own shame and guilt.

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