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Ask Berlin's network of revered deep diggers who their favourite "DJ's DJ" is, and there's a strong chance you'll hear one name immediately pop up: KRN.

Phil Kearney, AKA KRN, is one of those rare types who has built a reputation away from the limelight. Formerly a resident at The Ghost's Hoppetosse party as well as a Get Perlonized devotee (plus, full disclosure, reviewing events and working at RA in the mid-2010s), he's well-versed in both wiggle and waft. The hubbub around KRN can be put down to the fastidiousness of his approach: he unearths rare gems from the roots of the underground, before mixing it up with a deft hand.

Kearney's RA Podcast, sweetly subtitled "Dadhouse," is an ode to his partner and newborn, as well as a window into his personal palette. He starts in serene IDM territory, before shifting into playful grooves and tactile house oddities. Good lucking ID'ing many of the tunes—we asked for a tracklist but, deep down, already knew the answer. We know this, too: one listen and you'll be hooked.

@k_rn @theghost

Read more at ra.co/podcast/951


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A glorious ode to sound system culture. For her RA Podcast, Brooklyn-based DJ Ayanna Heaven celebrates vibrations echoing down the ages, connecting seven decades of trailblazers and trendsetters. It's a soundtrack we've timed with an eye to that golden late summer run of Notting Hill Carnival, Brooklyn's West Indian Day Parade and several crucial dates in the Jamaican calendar.

Since 2020, the Brooklyn-based DJ, ethnomusicologist, dancehall advocate and promoter has held down two shows on the city's most popular stations: the monthly "Sounds of Heaven" on The Lot and biweekly "Across 110th Street" on WKCR. That's roughly 72 hours of radio every year. Light work for Heaven, though, whose sound traverses the limitlessly fertile ground of reggae, dancehall, funk, soul and beyond.

From Sly & Robbie, Aswad and Vybz Kartel through contemporary heaters and reskins of platinum-plated standards like "No Games" and "Sun Is Shining," RA.950 is a story of a thriving culture, grounded in the past yet with intentions set firmly on the future.

@ayanna-heaven

Read more at https://ra.co/podcast/950


Podcast home: http://www.residentadvisor.net/

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EG.996 Darren Emerson


Podcast home: http://electronicgroove.com

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EG.995 Rodriguez Jr.


Podcast home: http://electronicgroove.com

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EG.994 Stacey Pullen


Podcast home: http://electronicgroove.com

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EG.993 Henry Saiz


Podcast home: http://electronicgroove.com

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This episode of The Bunker Podcast comes from Brussels’ Fuse resident DJ and label co-curator Altinbas, who has been playing all over Europe lately. Through his excellent Observation Station imprint, and other labels such as Token, Non Series, and of course Fuse, Altinbas has released a ton of great music in a relatively short period of time. Altinbas makes his US debut closing out The Bunker at Good Room this Saturday July 20.




Podcast home: http://www.beyondbooking.com/podcast.asp

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Umboma, is a collaboration between Omar Ahmad and Miss Alicia. Umboma is a project that emphasizes African, Arab and Latin American contemporary rhythms. A combination of Arabic, Swahili and Spanish words, Umboma signifies a Congregation of Freedom & Dance. Umboma do long-form journeys, starting with the experimental and psychedelic, moving into the rhythmic and euphoric. Here they present a studio mix of driving percussive house music in advance of their appearance at The Bunker at Good Room on July 20, 2024.


Podcast home: http://www.beyondbooking.com/podcast.asp

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This edition of The Bunker Podcast comes from Camille Altay (they/them), a visual artist, composer and DJ who lives and works in Climax, New York.

Camille spent formative years as a drum and bass dj in the house-heavy rave scene in Chicago in the late 90s. A contrarian in nature, Camille has been known to play genre-bending dj sets with influences ranging from Cumbia to Ghettotech. Camille’s live sets lean toward the spiraling, runaway arpeggiations of synth music in its initial stages of identity crisis - whether to emulate real instruments, or subversively carve a path towards unnamed and evolving shapes of space and identity. Camille has a recent release on the The Bunker’s long-form sub label Going In, is a founding member of of the group Birds of Prey (Kathexis Records, Mysteries of the Deep), and collaborates with LA artist Israel Vines under the moniker CAIV, with the most recent release Dwellers EP out on Tresor Records.

tracklist:

1 Reflection In Your Eyes / A.Fruit / Your Inner Sun

2 Bella di Giorno / Marco Shuttle / MSP01

3 Trunk Junk / Mad Zach / Out of Body

4 Tribes / Oceantied / Tribes

5 French Lessons / Beatrice M. & Trois-Quarts Taxi System / Spiral Study vol.3

6 Mhkl / Siu Mata & Amor Satyr / Nechung

7 Ritmo Actual / Toma Kami / Speed Oddity vol.II

8 Ecstatic dance / Vardae / The Kaipos EP

9 Odd / EM + STAV / Endless

10 Tunnel / Ghost Warrior / Fracture EP

12 Göbekli Tepe / CAIV / DWELLERS EP

13 Subspark / Aa Sudd / Pushedd

14 Deconstructor / Felix K / Die Verachtung

15 Run / Sully / UH-02

16 Orange Sunshine / Stakka & K.Tee / The Speed of Sound

17 napar / dadan karambolo / deers by bess

18 Multidimensional / Oscean / Multirays

19 Brahma Kamal / Space Drum Meditation / SDM005

20 Phaya Naga (INN Remix) / Sunju Hargun / Mooping Cuts #1 (Re-Meows)

21 Endless Vanishing Point / Marco Shuttle MSP01

22 Clastic / Vigliensoni / Clastic Music

23 Özlem / Konduku / Mantis 0910


Podcast home: http://www.beyondbooking.com/podcast.asp

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Hosted and Mixed by Matt Masters
Artist - Title (Mix) [Label]
Fred Everything - A Long Time Coming (feat. Sapele) [Lazy Days Recordings] 
Hypaphonik - Viungo [Stay True Sounds]
Aizo Clutch x Dwson - That Thing 
Joy Jenkins - Flowers [Bobby Donny]
Philippa - Lot To Learn [SlothBoogie]
Camiel Daamen - Lazy Sundays [Freeborn Records]
Crooked Man - It's My Pleasure (Part 1 - Generalisation Edit) [Vicious Charm Recordings]
Ralph Session - Freak (feat. Juliet Mendoza) [Freerange Records]
Hudson's Choice & Franc Spangler - Roots [Delusions Of Grandeur]
Oscar Sulley & The Uhuru Dance Band - Bukom Mashie (JKriv Extended Acid Dub) [Razor-N-Tape]
Session Victim - Screen Off Feat. Ras Stimulant [Delusions Of Grandeur]
Osunlade - Wiggle Room [Yoruba Records]
Infinity Plus One - Utopia [Cyphon Recordings]




Podcast home: http://www.freerangerecords.co.uk/

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Three sizzling hours from the mind behind one of the world's best labels, Kalahari Oyster Cult.

What you'll hear on this week's RA Podcast is the closing slot of 2024's Organik Festival—already a coveted moment. But as the sun dipped on Taiwan's north coast, something else was going on: Rey Colino was laying down quite possibly the set of his life.

We're big fans of Colino, AKA Colin Volvert, here at RA. Few do it better when it comes to the type of pacy, lysergic thumpers that have become synonymous with both Kalahari and the distro One Eye Witness. A quick glance over the Belgian label's impressive alumni confirms how deeply his work flows through contemporary clubs.

On RA.954, Volvert's sharp ear and swaggering DJ style are on full display. He locks in with many shades of his record bag, alongside a grip of new and forthcoming KOC cuts—some so fresh, the ink on the deal is barely even dry. We could go into the particulars, but it's best to just get stuck in: this one's a deep, deliriously effective trip.

@reycolino @kalaharioystercult @oneyewitness @smokemachinetaipei

Read more at ra.co/podcast/954


Podcast home: http://www.residentadvisor.net/

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In time for 9/9, here's… 999999999.

The Italian duo's reputation as a rave demolition crew has made them one of the most in-demand acts on the global circuit. Too nosebleed for 'business', and too close to Defqon.1-level hardstyle to be hard techno in the classic sense, 999999999's headline sets practically require a new category to convey the sense of scale: let's call it megatechno.

Following a string of unsubtle yet undeniably impactful hit records in the late 2010s, Carlo B. & Giovanni C. became fast favourites of a generation who prefer their 303 cranked to 11. Their rampant velocity arrived at the right moment, proving parallel compatibility with acid lifers and younger audiences making the leap from EDM to hard dance. Flash forward to 2024 and they're flanked by flamethrowers while mashing down colossal crowds at festivals like Awakenings.

Here, they purposefully strip it back and emphasise the core elements of the 9x9 formula—high drama, jackhammering kicks and the kind of tweaked-out acid air sirens that would make the likes of Hardfloor and Miss Djax scrunch their noses in approval. In other words, non-stop wrecking balls trained squarely at the foundations of a hangar near you.

@999999999music

Read more at ra.co/podcast/953


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90 mins of Two Shell, live from Horst.

We've been angling for an RA Podcast from Two Shell ever since they shifted from lowkey producers into hijinx hackers rummaging around the dance music mainframe.

Now that we've bagged a mix from clubland's premier iconoclasts, it still poses more questions than it answers: Was this pre-recorded? What's the deal with that AI voice guiding the set along? How can we be sure it was even them? Hang on: is "even them" even them?

What we can tell you is that the duo floored RA's stage at Horst Arts & Music 2024. Few genres were left untarnished as they veered off-piste on a thrill seeking mission toward breaking the 170+ BPM speed barrier. No tracklist, so ID crew over to you (Alex Gaudino makes an appearance, you can have that one as a freebie.) True to form, Two Shell always do it their own way.

@twoshell @horstartsandmusicfestival

Read more at ra.co/podcast/952


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EG.997 Anja Schneider


Podcast home: http://electronicgroove.com

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"Our collaboration is greater than the sum of its parts." Kai Campos and Dominic Maker discuss their new album on Warp and what it felt like to work together again after years apart.

British outfit Mount Kimbie first made their mark with their 2010 release Crooks and Lovers, inspired by contemporaries like James Blake and King Krule. The group's two primary members, Kai Campos and Dominic Maker, met at London South Bank University, where they simultaneously became enamoured with the '00s dubstep scene and the intersection it paved between commercial stardom and the underground, illuminating an alternative path for artists, producers and selectors on a global scale. Together, they became synonymous with hazy electronics and lo-fi indie pop throughout the mid-'10s.

Over the last few years, Maker and Campos have pursued different paths: Maker moved to Los Angeles, where he's produced for hip-hop giants like Travis Scott and Jay-Z, while Campos explored the world of DJing and electronic music, releasing a number of mixes geared towards the club. But they reunited for the first time in years on their newest album, The Sunset Violent, which came out on Warp Records in April. In this RA Exchange, the duo talk about the recording process and what it felt like to work together again after spending so much time on independent projects. They also unpack the power of making art for art's sake and how their respective experiences in art and in life have taught them to be better creative partners. Listen to the episode in full.


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