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From Wired:
From King James to James Bond, Chaucer to Sputnik, a personal library like no other.
Photo: Andrew Moore
Inspiration Point Walker frequently meets with the Walker Digital brain trust in the seating area of the library, hoping to draw inspiration from the surroundings. Artist Clyde Lynds (known for integrating fiber optics into his work) created the intricate illuminated glass panels and many other visual elements. Walker himself designed the Escher-like tile floor, modeled after a tumbling block pattern from the Victorian age. He bought the chandelier (seen in the Bond film Die Another Day) at an auction and rewired it with 6,000 LEDs. The open book on the table features watercolor illustrations for an 18th-century papal palace that was never built. The globe has special meaning for Walker: "It was a wedding gift Eileen and I received in 1982."
Reading Room In the foreground are several early-20th-century volumes with jeweled bindings—gold, rubies, and diamonds—crafted by the legendary firm Sangorski & Sutcliffe. On the table (first row, from left) is a 16th-century book of jousting, a Dickens novel decorated with the author's portrait, and (open, with Post-it flags) an original copy of the 1493 Nuremberg Chronicle, the first illustrated history book. Second row: the 1535 Coverdale Bible (the first completely translated into modern English), a medieval tome with intricate illustrations of dwarfs, a collection of portraits commissioned at a 17th-century German festival ("Facebook in 1610!"), a tree-bark Indonesian guide to cannibalism, and a Middle Eastern mother goddess icon from around 5000 BC.
Walker shuns the sort of bibliomania that covets first editions for their own sake—many of the volumes that decorate the library's walls are leather-bound Franklin Press reprints. What gets him excited are things that changed the way people think, like Robert Hooke's Micrographia. Published in 1665, it was the first book to contain illustrations made possible by the microscope. He's also drawn to objects that embody a revelatory (or just plain weird) train of thought. "I get offered things that collectors don't," he says. "Nobody else would want a book on dwarfs, with pages beautifully hand-painted in silver and gold, but for me that makes perfect sense."
What excites him even more is using his treasures to make mind-expanding connections. He loves juxtapositions, like placing a 16th-century map that combines experience and guesswork—"the first one showing North and South America," he says—next to a modern map carried by astronauts to the moon. "If this is what can happen in 500 years, nothing is impossible."
Gadget Lab A brand-new One Laptop per Child XO, far left, sits next to a relatively ancient RadioShack TRS-80 Model 100. In back, a 1911 typewriting machine and a 1909 Kent radio. The large contraption at center is the Nazis' supposedly unbreakable Enigma code machine. The book to its left is a copy of Johannes Trithemius' 1518 Polygraphiae, a cryptographic landmark. On the right is an Apple II motherboard signed by Woz. An Edison kinetoscope sits beside an 1890 Edison phonograph (along with three of the wax cylinders it uses for recording). Nearby is a faithful copy of Edison's lightbulb. The gadget with the tubes is an IBM processor circa 1960. In front of it stands a truly ancient storage device, a Sumerian clay cone used to record surplus grain.
Walker struggles to balance privacy with his impulse to share his finds with the outside world. Schoolchildren often visit by invitation, as do executives, politicians, and scholars. Last February, the organizers of the TED conference persuaded him to decorate their stage with some of his treasures. But he's never invited any press in to see the collection—until now
From King James to James Bond, Chaucer to Sputnik, a personal library like no other. Photo: Andrew Moore
Inspiration Point Walker frequently meets with the Walker Digital brain trust in the seating area of the library, hoping to draw inspiration from the surroundings. Artist Clyde Lynds (known for integrating fiber optics into his work) created the intricate illuminated glass panels and many other visual elements. Walker himself designed the Escher-like tile floor, modeled after a tumbling block pattern from the Victorian age. He bought the chandelier (seen in the Bond film Die Another Day) at an auction and rewired it with 6,000 LEDs. The open book on the table features watercolor illustrations for an 18th-century papal palace that was never built. The globe has special meaning for Walker: "It was a wedding gift Eileen and I received in 1982."
Reading Room In the foreground are several early-20th-century volumes with jeweled bindings—gold, rubies, and diamonds—crafted by the legendary firm Sangorski & Sutcliffe. On the table (first row, from left) is a 16th-century book of jousting, a Dickens novel decorated with the author's portrait, and (open, with Post-it flags) an original copy of the 1493 Nuremberg Chronicle, the first illustrated history book. Second row: the 1535 Coverdale Bible (the first completely translated into modern English), a medieval tome with intricate illustrations of dwarfs, a collection of portraits commissioned at a 17th-century German festival ("Facebook in 1610!"), a tree-bark Indonesian guide to cannibalism, and a Middle Eastern mother goddess icon from around 5000 BC.
Walker shuns the sort of bibliomania that covets first editions for their own sake—many of the volumes that decorate the library's walls are leather-bound Franklin Press reprints. What gets him excited are things that changed the way people think, like Robert Hooke's Micrographia. Published in 1665, it was the first book to contain illustrations made possible by the microscope. He's also drawn to objects that embody a revelatory (or just plain weird) train of thought. "I get offered things that collectors don't," he says. "Nobody else would want a book on dwarfs, with pages beautifully hand-painted in silver and gold, but for me that makes perfect sense."
What excites him even more is using his treasures to make mind-expanding connections. He loves juxtapositions, like placing a 16th-century map that combines experience and guesswork—"the first one showing North and South America," he says—next to a modern map carried by astronauts to the moon. "If this is what can happen in 500 years, nothing is impossible."
Gadget Lab A brand-new One Laptop per Child XO, far left, sits next to a relatively ancient RadioShack TRS-80 Model 100. In back, a 1911 typewriting machine and a 1909 Kent radio. The large contraption at center is the Nazis' supposedly unbreakable Enigma code machine. The book to its left is a copy of Johannes Trithemius' 1518 Polygraphiae, a cryptographic landmark. On the right is an Apple II motherboard signed by Woz. An Edison kinetoscope sits beside an 1890 Edison phonograph (along with three of the wax cylinders it uses for recording). Nearby is a faithful copy of Edison's lightbulb. The gadget with the tubes is an IBM processor circa 1960. In front of it stands a truly ancient storage device, a Sumerian clay cone used to record surplus grain.
Walker struggles to balance privacy with his impulse to share his finds with the outside world. Schoolchildren often visit by invitation, as do executives, politicians, and scholars. Last February, the organizers of the TED conference persuaded him to decorate their stage with some of his treasures. But he's never invited any press in to see the collection—until now
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