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After the sucess of our last party with Nick Warren and Jody Wisternoff in February, Twisted Audio returns with a new Lightbox venue and a unique LIVE show from 2 of the producers behind the biggest names in house music, Charlie May and Nick Muir.
Charlie May
There are few more inspired artists working in electronic music today than Charlie May. As the architect behind many of the stylistic blueprint shifts in dance since the early heady days of acid house, May knows a thing or two about what makes a dance floor tick.
One half of revered progressive house pioneers Spooky; the engineer and producer of many of Sasha’s biggest singles and albums; highly respected solo producer in his own right, May has remained at the vivacious beating heart of house since the early ’90s, taking the pulse of the clubbing populace and ensuring it remains in rude health.
Nick Muir
Nick is best known for his work as a producer of electronic dance music both on his own and as one half of the Bedrock production team with DJ John Digweed (voted no.1 DJ in the world in 2001). He has been involved in many pivotal moments in the world of club music and has in many ways helped to define the genres in which he has worked.
Tracks such as 'For What You Dream Of' and 'Heaven Scent' under the Bedrock banner and his own 'Stoneage' as Floorjam are widely regarded as classics, still played all over the world; his music has been used extensively in film and he and John have written scores for, amongst others, 'Stark Raving Mad' (Newmarket films) and 'Spiderman - the new animated series' which won a Dancestar award for Best Use of Music in a TV Show. 'For What You Dream Of' was famously used in the club scene of the phenomenally successful era defining film, 'Trainspotting'.
There have been countless other productions and remixes over the years including mixes for New Order, Underworld and The Orb. To this day Nick is an in demand producer of club music and is releasing as much music now as ever, on labels such as Mashtronic, Renaissance and of course the eponymous Bedrock.
LIMITED CAPACITY, IN ADVANCE ONLY
TICKETS ON SALE AT RA http://www.residentadvisor.net/event.aspx?150711
and
Charlie May
There are few more inspired artists working in electronic music today than Charlie May. As the architect behind many of the stylistic blueprint shifts in dance since the early heady days of acid house, May knows a thing or two about what makes a dance floor tick.
One half of revered progressive house pioneers Spooky; the engineer and producer of many of Sasha’s biggest singles and albums; highly respected solo producer in his own right, May has remained at the vivacious beating heart of house since the early ’90s, taking the pulse of the clubbing populace and ensuring it remains in rude health.
Nick Muir
Nick is best known for his work as a producer of electronic dance music both on his own and as one half of the Bedrock production team with DJ John Digweed (voted no.1 DJ in the world in 2001). He has been involved in many pivotal moments in the world of club music and has in many ways helped to define the genres in which he has worked.
Tracks such as 'For What You Dream Of' and 'Heaven Scent' under the Bedrock banner and his own 'Stoneage' as Floorjam are widely regarded as classics, still played all over the world; his music has been used extensively in film and he and John have written scores for, amongst others, 'Stark Raving Mad' (Newmarket films) and 'Spiderman - the new animated series' which won a Dancestar award for Best Use of Music in a TV Show. 'For What You Dream Of' was famously used in the club scene of the phenomenally successful era defining film, 'Trainspotting'.
There have been countless other productions and remixes over the years including mixes for New Order, Underworld and The Orb. To this day Nick is an in demand producer of club music and is releasing as much music now as ever, on labels such as Mashtronic, Renaissance and of course the eponymous Bedrock.
LIMITED CAPACITY, IN ADVANCE ONLY
TICKETS ON SALE AT RA http://www.residentadvisor.net/event.aspx?150711
and
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