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For several years, Diskjokke (a.k.a. Joachim Dyrdahl) was the sort of producer whose music could fairly easily be put into a neat little box. Granted, it was a really nice box; Diskjokke's lush, spaced-out productions expertly wove together Balearic strains of disco and house and were rightly lauded alongside those of Oslo contemporaries Lindstrom and Prins Thomas. However, things have changed with the release of his third album, Sagara, an ambient effort which takes its primary inspiration from Indonesian gamelan. read more
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